The image of the Arab leader in the purposes of Abbasid poetry (Praise and spelling as a model)

Abstract

Arab society has become accustomed to the symbolic presence of the leader; Therefore, the language of celebration spread and dominated the Abbasid poetic discourse without canceling the language of disapproval that was emerging from time to time, es-pecially at the moments of separation between the leader and the poet. This research deals with the image of the leader and the leadership at the same time, because the poets in their different poetic themes and poems did not portray the leader only for his person, but also for his status resulting from his defiance of the leadership poet.
The Abbasid poet formulated a picture of the leader according to his understanding, perception, and benefit, not according to the leader's reality - for the most part and he was based on the linguistic attribution referring to reality according to the duality (I and the other) belonging to compatibility or difference during the Abbasid era, including historical events that have external or internal influences on a limit. whether. And the image that this re-search seeks to monitor is an image that belongs to the structural structure, not the synthetic structure. By the structural structure, we mean that image is closed to the pattern, and the synthetic structure is the image that bears the absolute art, just as the im-age of the pattern is closed to objective and subjective, while the artistic image is -mostly- close to the form