منطلقات الفكر الوجودي وانعكاساتها في نتاجات نحت الحداثة النحات ألبرتو جياكوميتي أنموذجا

Authors

  • سعد جادر مطلك الجامعة المستنصرية - قسم التربية الفنية

Abstract

Sculpture art is an effective blog for human activities through the stages of development of his ideas, knowledge culture, and beliefs
And what the mid-twentieth century witnessed in terms of transformations in form, as it is one of the most important pillars of the art of modernity and beyond, because of its data that contributed to presenting a new deliberative vision, with intellectual, philosophical and epistemological references, that affected the art of sculpture's productions effectively pressing the starting points and references of existential thought in line with modernity. And its nihilism and irrationality
The study aimed at research tagged (the starting points of existential thought and its reflections on the products of modernity sculpture )Alberto Giacometti as a model)) In order to find out the sculptural forms that Giacometti implemented, it was adopted that was characterized by the data of existential thought and what it is.
As for the second chapter (the theoretical framework), it includes three topics: the first represents: Existentialism as a philosophical movement, and the second includes: Existentialism starting points theories, while the third: The starting points of existential thought,
Then the third chapter, which included the research procedures from defining the research community and selecting the sample, then the tools adopted by the researcher to describe and analyze the sample and finally the analysis of the samples.

Published

2026-04-24

How to Cite

سعد جادر مطلك. (2026). منطلقات الفكر الوجودي وانعكاساتها في نتاجات نحت الحداثة النحات ألبرتو جياكوميتي أنموذجا. AL-Yarmouk Journal, 19(6-1), 726–767. Retrieved from https://journal.al-yarmok.edu.iq/index.php/alyj/article/view/1428

Issue

Section

Articles